- Planning the layout of your studio space can be a highly personal thing. It is the physical representation of your working practice; a response to your needs both current and future. Careful preparation is key, so don't skimp on this part - thinking is free, three tonnes of plasterboard isn't!
- The first floor has two parking spaces and a design studio. The three plate reverbs are in a soundproofed room on this level too. During the designing of the recording studio, my goal was to create an intimate retreat that was divided into two primary areas: a control room and a studio room. These are separated by a 4 ft X 5 ft triple glass window.
Recording Studio Mission
Either draw floor plans yourself with our easy-to-use floor plan software – just draw your walls and add doors, windows and stairs. Or order your floor plan through RoomSketcher Floor Plan Services – all you need is a blueprint or sketch. No training or technical drafting knowledge is required, so you can get started straight away.
Acoustic Frontiers creates neutral, accurate environments for mixing and mastering rooms. Our specialities are acoustical design and set-up services for home and commercial clients.
The Acoustic Frontiers Service
Audio Design
Determining the best combination of monitors, amplifiers, subwoofers, and room correction electronics for mixing and mastering.Acoustic Design
Clean junk files macbook air. Specifying the number, type, and location of acoustic treatments to meet targets for sound decay and frequency response.Low Frequency Optimization
Fine-tuning low bass through monitor, seat, and subwoofer placement techniques.Installation
Providing and installing acoustic treatment and audio equipment such as monitors and room correction electronics.Audio Set-Up
Positioning the monitors for the best balance of imaging, soundstaging, and bass performance, integrating subwoofers, and setting up equalization.
Acoustically Optimized Recording Room Design
Most rooms, even those that are well treated, have acoustical issues resulting in mixes which don’t translate to other environments. To create a neutral, accurate playback system requires in-depth optimization of the loudspeaker/room interface. Fundamentally, room design is about acoustics: choosing the right monitors for the job, placing them so they interact favorably with standing waves, and optimizing reflected sounds through acoustic treatment.
Recording Studio Acoustics—The Difference Between An Inadequate Room and An Accurate Monitoring Environment
Generic Recording Studio Design
Poor Speaker/Room Match
Many professional facilities and home recording studios choose the wrong speakers for their needs. It’s critical to match the SPL capabilities, bass extension, and off-axis monitor response to both the Recording studio’s acoustics and the specific task. Recording sessions in the control room with musicians spread about will require different speaker functionality than a single engineer mixing nearfield. Similarly, a main monitor system capable of 110dB at 30Hz requires a room acoustically designed to deal with potential modal issues at that frequency.Generic Acoustic Treatment Design
Every room requires a different acoustic treatment scheme to combat room mode resonances and control reflections. Simple rules of thumb found online, such as placing absorbers at reflection points and bass traps in corners, will not create a neutral, accurate environment that enables you to make effective decisions about mixing, EQ, and reverb.Monitors, Desks, and Seats Placed Where They Fit
Bass is the hardest thing to get right in any room. That’s because all rooms have natural resonant frequencies that cause peaks and dips in the frequency response. Most people put monitors, desks, and seats where they fit, without considering room modes. Then they try to work around the resulting acoustical issues by using nearfield monitors or ‘automagic’ room correction systems.
Recording Studio Design with Acoustic Frontiers
The Right Monitors For The Job
Acoustic Frontiers’ Audio Design service helps you choose the right speakers for the different ways you’ll use the room. Nearfield, midfield, and main monitors are all different, and it’s important to pick the right tool for the job. We acoustically optimize the mounting environment for the speaker and, through our Audio Set-up service, calibrate speaker controls so the response perfectly matches manufacturer specifications.Acoustic Treatment Tailored To Your Room
Acoustic Frontiers’ approach to Acoustic Treatment Design starts at the monitor and explicitly considers the effect of reflections and reverberation. We use ray tracing and speaker off-axis measurements to compare the amplitude and spectral relationship of direct and reflected sounds. The result is an acoustic treatment plan custom-designed to your monitors and your room.Optimized Monitor, Desk, and Seat Placement
The only certain way to eliminate the negative effect of modal resonances is to use scientific techniques. Acoustic Frontiers’ Low Frequency Optimization service determines the frequency, severity, and spatial distribution of room modes using high-resolution acoustic measurements and modeling. Then we solve the problems through monitor/desk/seat placement, bass trapping, subwoofers, and room correction.
![Recording Studio Floor Plan Design Software Recording Studio Floor Plan Design Software](https://www.soundcontrolroom.com/wp-content/media/Concept-Most-Used-For-Recording-Studios-1024x677.jpg)
Installation
Need help installing acoustic treatments? Acoustic Frontiers’ experienced team of installers safely and quickly hangs off-the-shelf absorbers and diffusers, as well as fabricating custom acoustic treatments such as bass traps.Equipment
Our offerings for recording studios focus on optimization of the speaker/room interface. Macbook pro keyboard insert. We have highly accurate monitors, a variety of room acoustic treatments to cover every need, and the best room correction processors out there.
RPG
The gold standard in room acoustic treatment.Vicoustic
Finally, high-performance acoustical treatment that looks great!Primacoustic
High-value acoustic treatment from Canada.DEQX
Flexible digital speaker correction, crossover, and room correction processors.Trinnov
State-of-the-art room correction processors.Adam Audio
Accurate and neutral nearfield, midfield, and main monitors using air motion transformer technology.
Audio Set-Up
Set-up is the process of fine-tuning monitor, desk, and seat positions for the best balance of imaging, soundstaging, and bass performance. It’s also about integrating subs, if you have them, and calibrating room correction systems. We’ve developed a unique set-up process that fuses high-resolution acoustic measurements with critical listening to ensure that your monitoring system performs to its potential.
Set-Up — The Acoustic Frontiers Difference
DIY Set-Up
Generic Set-Up Rules of Thumb
For many people, set-up consists of short-lived and semi-random tweaking of monitor, desk, and seat placement. The more advanced may try a ‘set-up rule’ or some speaker placement guidelines found online. These pseudo-scientific routines can occasionally lead to modest results but rarely result in the most accurate and neutral sound.
Acoustic Frontiers Set-Up
Scientific Measurement-Based Set-Up
Acoustic Frontiers’ rigorous Audio Set-up methodology unites traditional critical listening with state-of-the-art room acoustic measurements. We use professional-grade microphones and thousands of dollars of equipment to measure your system and calibrate it to our quantitative targets for frequency response and sound decay.
Questions?
https://mlrv.over-blog.com/2020/11/dropshare-4-9-2-secure-file-sharing-tool-download.html. Call us to answer any questions you may have
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This article will explore the most important design considerations for Recording Studios. The names and functions of the rooms are; Control Room, the technical hub of the recording process, Studio, the performance area and is also used to describe a facility, Booth refers to a smaller performance space.
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All the readers are aware of the common elements these rooms share: line of sight, mechanical systems, isolation, adaptive lighting, connectivity, and so forth. Yet each room is a highly specialized creative environment unique in its function. Let’s start with size and shape.
Size of the room is the dominant acoustic feature. The ratio of the length to width to height will influence regardless of what you may put into the room. Equal dimensions are fatal. A 10’ x 10’ x 10’ room is an anomaly that no audio person should experience. Likewise a repeating dimension, L 16’ x W 10’ x H 10’ is not much better.
A great deal has been written and researched of “golden ratios”. But few people will have the real estate, money and opportunity to build to the inch. There are modal calculators available on the web but they will provide a lot of information that is difficult to understand. R. H. Bolt developed a simple, easy chart for ratio evaluation. The “Bolt Area” really does work.
Source: F. Alton Everest, Master Handbook of Acoustics.
It is easier to deal with poor ratios in larger rooms. audiomachine, Composer 1, has poor ratios. When the room was analyzed it was predicted that in the center of the room there would be no bass with a large diameter of reduced bass. This required a very sophisticated, complex acoustic design. A simple explanation is a variety of absorbers tuned at the floor to ceiling dimension, which represented the area of greatest modal behavior, with completely different treatments front to back. The front of the room has a six-inch absorbent wall, on top of a rigid mass loaded wall. Above the mix position is an 8” absorbent cloud. (Please do not assume these are simple boxes stuffed with mineral wool.) The back wall has hard reflective paneling and wood slats. Directly in the center of the room on the ceiling is an absorption array. The result is a smoother bass response, a large “sweet spot”, and gradual low frequency decay as you move through the room.
audiomachine, Composer 1 – Rear View
Small booths are exceptionally challenging, even with better ratios. Vocal booths with poor ratios require sophisticated broad band trapping. Pictured below is an example of one wall in a vocal booth with two equal dimensions. The pictures show the framing of the 9” deep absorber, and the uncovered absorber completed. What is not shown is the diaphragmatic membranes and the filled well absorber. The slats on the face help keep some of the high frequency from being absorbed and increase efficiency as reflections are redirected back into the absorber.
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In regards to size, it is difficult to make rooms sound bigger than they are. However reverb times can be extended by adding shape to the boundaries. Nonetheless, usually the size is still detectable to the ear. A tiled bathroom for example has a longer reverb time but still sounds like a tiled bathroom. To make a 150 sq. ft. room sound like a large performance area is not going to happen. This brings us to the next topic.
SHAPE is often misunderstood and mistakenly executed. Contemporary designers would rather have a rectangle with proper ratios for a control room.
“The popularity of rectangle rooms is due part to economy of construction, but it has its acoustical advantages. The axial, tangential, and oblique modes can be calculated with reasonable effort and their distribution studied. For a first approximation, a good approach is to consider only the more dominate axial modes, which is a very simple calculation. Degeneracies (mode pile-ups) can be spotted and other room faults revealed.”
*F. Alton Everest, Master Handbook of Acoustics
*F. Alton Everest, Master Handbook of Acoustics
So what are the reasons for the shapes you see in a recording studio?
- Many shapes in control rooms are varying depth and types of acoustic treatments. The boundaries are rectangular.
- Shape may be a real advantage for performance rooms. But this is not true for control rooms. Why?
- Control rooms need to be symmetrical, Studios do not.
- Control rooms need to be predictable and accurate. Studios just need to sound good.
- Control Room acoustics require shorter reverb times. Longer reverb is often desired in the “live” room.
- A good control room should sound the same as you move through the room. A large uniform “sweet spot” is desired. A good studio has varying acoustical character throughout the room providing different ambience for recording flexibility.
- Line-of-sight, shape in the studio often provides better eye contact. Control rooms are best when the view is stable at the mix position.
- Often rectangles and squares are divided on the diagonal for efficiency of space. The diagonal line is a longer dimension.
Here is the contradiction….
Project goal:
Restrictions: Cannot move door |
We know the soundlock has to be at the front door and allow access to the booth and control room. For the booth to be a usable recording space, 6–7 feet is needed.
Here is the problem illustrated
The solution, Angled Walls
This shape will definitely sound better and sacrifices a minimum amount of space.
The use of splayed walls is neither a mandatory or arbitrary consideration. Common misuse mistakes may result in loss of space, extended or uneven decay times, left to right imbalance, additional unnecessary costs, and strange unintentional consequences.
The ceiling is another place where shape or angles are generally unwanted. Compression ceilings (ceilings angled down towards the listener) were popular in the seventies but a horrible choice for modern control rooms. I apologize if I offended anyone, but someone has to say it. Again, many times the sloped ceilings are acoustic treatments applied to flat boundaries.
There are always exceptions. Large performance rooms with tall ceilings may benefit, but the ceiling should not angle below 12’ anywhere. Beware, it may become an overwhelming characteristic.
Lighting is particularly important and well worth mentioning. There are three definitive tasks lighting must serve in recording studios;
- Full lighting for set-up and cleaning.
- Work lighting, variable for time of day, video screening, different simultaneous tasks i.e., engineering, performing, producing.
- Mood lighting for creative atmosphere.
Because there are windows between each room, the ability to control all lights from the control room is necessary.
STYLES
There are many choices for styles and generally there are code considerations. Styles are easily substituted.
There are many choices for styles and generally there are code considerations. Styles are easily substituted.
DESCRIPTIONS, as applicable Honda cg125 titan service manual.
Control Room At least three lamps, each position, help to minimize shadows.
- Directly over engineering position.
- Work area behind engineer, typically this area will have overdubbing musicians.
- Client area.
- Wall wash / indirect lighting.
- Decorative colored lamps for mood and design.
Performance Area https://best-mac-monitoring-software.peatix.com.
- Full lighting and work light.
- Surface mount, chandeliers/pendant style for design and function.
- Wall wash / indirect lighting.
- Decorative colored lamps for mood and design.
Special Purpose
RECORDING sign at entrance door
EXIT signs with emergency lighting. The rooms must have sufficient exit light during a power outage, this is aided by glass in doors and between rooms.
Unwanted noise and vibration are a serious concern in all applications. Every decision of style and type must first address unwanted interference and noise.
CONCLUSION
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Acoustics and perception are not an intuitive science, made more complicated because there is so much old information out there. References before 1985 are often irrelevant or wrong for today’s production rooms. Vernacular knowledge is in many instances the equivalent to old wives tales. “Angled walls eliminate standing waves”, “cannot have parallel walls”, “build a room inside of a room”, “another layer of drywall is equal to vinyl barrier”, “bass traps are absolutely necessary” are examples of superfluous myths.
I have attempted to be thorough; studio design is a very deep subject. If you are going to build or remodel the use of a professional or consultant is a terrific investment. When building; changes are expensive, mistakes are more expensive, and disappointment is priceless.
Recording Studio Design Plan
I invite everyone to visit our website. There are plans, details, guidelines, links and more valuable information. www.soundcontrolroom.com